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杨丞琳首次身兼专辑制作人以及企划，打造阔别3年的新专辑《删·拾 以后》，也是她成立个人工作室后的处女作。为此她勇于突破尺度，仅靠一头长发遮住全身，概念却跟蔡依林《迷幻》MV相近；在新歌《节日快乐》的视觉神情则跟孙燕姿《跳舞的梵谷》封面相像，只能说天后所见略同。

两个月前升格人妻的她以30岁分水岭为概念，当有所体悟后即能掌握“删除”、“拾起”的得失心境，因而延伸出两种风格迥异的专辑封面版本。

她在“拾版”中的造型色彩浓烈，层次丰富；吸睛的是她在“删版”中采用较赤裸的风格表现全然交付出去，一套几近透明的空气装靠高腰内裤、Bra遮住重要部位；另一套是穿着裸肤色紧身肉胎装上阵，以超长发丝披盖全身，杨丞琳笑言：“希望大家可以把我看透透。”

出处：联合报

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